The film examines the SS’s perverse relationship with music—forcing prisoners to perform for their entertainment and accompany slave labourers, turning art into another form of torture. It also celebrates three other remarkable musicians—Ilse Weber, Szymon Laks, and Adam Kopyciński—whose compositions are brought to life in moving performances by contemporary artists, including Anita’s son Raphael Wallfisch. … Continue reading The Last Musician of Auschwitz + Q&A