Baker (Florida Project, Red Rocket) presents a modern-day Cinderella story about Ani, a young sex worker from Brooklyn, meeting Vanya, a spoiled son of a Russian oligarch, who offers her a glamorous new life of possibility and incredible wealth.
Ani’s wild ride and fairytale is soon threatened when news of their whirlwind marriage gets back to Russia, resulting in Vanya’s parents flying to New York to manage the situation. Both wildly entertaining and heartbreaking, Anora takes audiences on a freewheeling, rambunctious adventure that escalates to dizzying levels.
Drawing comparisons to Pretty Woman, it constantly plays with genre and audience expectations. But what shines through most, as it does in all of his films, is Baker’s love for and unwillingness to judge his characters.